JOHN POTOTSCHNIK FINE ART

Dancing and painting

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I’ve been a professional artist for many years and painting is still hard. I’m not sure it can ever be mastered. I suspect that the great, Rembrandt van Rijn, was never able to set his brushes down and contentedly say, “I’ve arrived, I’m the greatest, there’s nothing more that I can ever achieve in painting.” That sounds pretty silly, doesn’t it?

Oh, I suppose painting can be technically mastered, but there’s so much more to painting than the application of paint…just as there is so much more to dance than learning the steps and positions…and to music than just being able to play the notes. As creative artists, I know you understand this.

Years ago, the wonderful artist, Johanna Harmon, posted an article on her website that spoke so much truth that I made a copy, thinking one day I will share it with you; well, that “one day” has arrived. The article, “15 truths about being a professional dancer”, was not actually written by Johanna but was authored by Melanie Doskocil, a professional dancer, teacher, and school director of the Aspen Santa Fe Ballet.

You’ll really appreciate and relate to these 15 important insights. Thanks to Johanna Harmon for making me aware of the article, and to Melanie Doskocil for granting me permissions to share it with you. Enjoy. (Please click images to enlarge)

 

Dance is hard

No dancer ever became successful riding on their natural born talents only. Dancers are artists and athletes. The world of dance today is akin to an extreme sport. Natural ability and talent will only get us so far. Dancers must work hard and persevere. Dancers give years of their lives plus their sweat, tears and sometimes blood to have the honor and pleasure of performing on stage.

You won’t always get what you want

We don’t always get the role we wanted, go on pointe when we want, get the job we want, hear the compliments we want, make the money we want, see companies run the way we want, etc, etc. This teaches us humility and respect for the process, the art form and the masters we have chosen to teach us. The faster we accept this, the faster we can get on with being brilliant. We’ll never be 100% sure it will work, but we can always be 100% sure doing nothing won’t work.

There’s a lot you don’t know

There is always more a dancer can learn. Even our least favorite teachers, choreographers and directors can teach us something. The minute we think we know it all, we stop being a valuable asset.

There may not be a tomorrow

A dancer never knows when their dance career will suddenly vanish: a company folds, career ending injury, car accident, death…Dance every day as if it is the final performance. Don’t save the joy of dance for the stage. Infuse even your routine classroom exercises with passion!

There’s a lot you can’t control

You can’t control who hires you, who fires you, who likes your work, who doesn’t, the politics of being in a company. Don’t waste your talent and energy worrying about things you can’t control. Focus on honing your craft, being the best dancer you can be. Keep an open mind and a positive attitude.

Information is not true knowledge

Knowledge comes from experience. You can discuss a task a hundred times, go to 1000 classes, but unless we get out there and perform we will only have a philosophical understanding of dance. Find opportunities to get on stage. You must experience performance firsthand to call yourself a professional dancer.

Johanna Harmon “Aflutter” – 36″ x 36″ – Oil

 

If you want to be successful, prove you are valuable

The fastest way out of a job is to prove to your employer they don’t need you. Instead, be indispensable. Show up early, know your material, be prepared, keep your opinions to yourself unless they are solicited and above all be willing to work hard.

Someone else will always have more than you/be better than you

Whether it’s jobs or money or roles or trophies, it does not matter. Rather than get caught up in the drama about what others are doing around you, focus on the things you are good at, the things you need to work on and the things that make you happiest as a dancer.

 

You can’t change the past

Everyone has a past. Everyone has made mistakes, and everyone has glorious moments they want to savor. “Would you keep a chive in your tooth just because you enjoyed last night’s potato?” Dance is an art form that forces us to concentrate on the present. To be a master at dance we have be in the moment; the minute the mind wanders, injuries happen. If they do, see “Sometimes you will fail”, below.

The only person who can make you happy is you

Dancing in and of itself cannot make us happy. The root of our happiness comes from our relationship with ourselves, not from how much money we make, what part we were given, what company we dance for, or how many competitions we won. Sure these things can have effects on our mood, but in the long run it’s who we are on the inside that makes us happy.

Johanna Harmon – “Messengers” – 26″ x 18″ – Oil

 

There will always be people who don’t like you

Dancers are on public display when they perform and especially in this internet world, critics abound. You can’t be everything to everyone. No matter what you do, there will always be someone who thinks differently. So concentrate on doing what you know in your heart is right. What others think and say about you isn’t all that important. What is important is how you feel about yourself.

Sometimes you will fail

Sometimes, despite our best efforts, following the best advice, being in the right place at the right time, we still fail. Failure is a part of life. Failure can be the catalyst to some of our greatest growth and learning experiences. If we never failed, we would never value our successes. Be willing to fail. When it happens to you (because it will happen to you), embrace the lesson that comes with the failure.

Sometimes you will have to work for free

Every professional dancer has at one time or another had to work without pay. If you are asked to work for free, be sure that you are really OK with it. There are many good reasons to work for free, and there are just as many reasons not to work for free. Ask yourself if the cause is worthy, if the experience is worth it, if it will bring you joy. Go into the situation fully aware of the financial agreement and don’t expect a hand out later.

Repetition is good, but doing the same thing over and over expecting a different result is insane

If you keep doing what you’re doing, you’ll keep getting what you’re getting. If you keep doing the bare minimum of required classes, don’t complain to your teacher when you don’t move up to the next level. If you only give the bare minimum in your company, be happy staying in the corps. If you want to grow beyond your comfort zone, you must push yourself beyond your self-imposed limitations.

You will never feel 100% ready

Nobody ever feels 100% ready when an opportunity arises. Dancers have to be willing to take risks. From letting go of the ballet barre to balance, to moving around the world to dance with a new company, from trusting a new partner to trying a new form of dance, dancers must have a flexible mind and attitude as well as body. The greatest opportunities in life force us to grow beyond our comfort zones, which means you won’t feel totally comfortable or ready for it.

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Melanie Doskocil directs the School of the Aspen Santa Fe Ballet; she has over 20 years of professional dance and teaching experience. She began her professional dance career in 1989 with Ballet Arizona and continued on to dance with Oakland Ballet, Nevada Ballet Theater, City Ballet of San Diego, Aspen Santa Fe Ballet, Mia Michaels RAW, and Odyssey Dance Theatre in Utah. Ms. Doskocil began teaching in 1995, for City Ballet of San Diego, under the mentorship of Steven and Elizabeth Wistrich. She continued teaching and began directing at Center Stage Performing Arts Studios in Utah, where she created their pre-professional ballet program. Melanie has mentored with master teachers Jean-Philippe Malaty, Tom Mossbrucker, Hilary Cartwright and the excellent faculty of Marcia Dale Weary’s Central Pennsylvania Youth Ballet. She is thrilled to now call Aspen her home and cherishes every moment she spends teaching the students of Aspen Santa Fe Ballet.

 

To view more Johanna Harmon paintings, click HERE

For a great interview I had with Johanna, click HERE

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I’m pleased to offer both of my instructional videos and book as a complete set for the first time. They may also be purchased individually. All are best sellers and include everything I’ve taught in my workshops. You can now take my oil painting workshop right in the comfort of your home, and for a lot less money than physically being present. (Click image to learn more)

For those that have purchased the book, I invite you to join our new Facebook Group – “Limited Palette Unlimited Color”. If you qualify, I hope you’ll join us. Check us out on Facebook. HERE is the link.

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Want to take your painting to the next level? I can help. Click HERE to learn about my critique/mentoring programs.

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John Pototschnik is an Art Renewal Center Living Master. To view his art and bio, please click HERE

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