JOHN POTOTSCHNIK FINE ART

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Hark! The angels are singing

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Hark the herald angels sing
“Glory to the newborn King!

Peace on earth and mercy mild

God and sinners reconciled”

Joyful, all ye nations rise

Join the triumph of the skies

With the angelic host proclaim:

“Christ is born in Bethlehem”

Hark! The herald angels sing

“Glory to the newborn King!”

Christ by highest heav’n adored

Christ the everlasting Lord!

Late in time behold Him come

Offspring of a Virgin’s womb

Veiled in flesh the Godhead see

Hail the incarnate Deity

Pleased as man with man to dwell

Jesus, our Emmanuel

Hark! The herald angels sing

“Glory to the newborn King!”

Hail the heav’n-born Prince of Peace!
Hail the Son of Righteousness!

Light and life to all He brings

Ris’n with healing in His wings

Mild He lays His glory by

Born that man no more may die

Born to raise the sons of earth

Born to give them second birth

Hark! The herald angels sing

“Glory to the newborn King!”

That pretty much says it
May you have a blessed Christ -mas





Celebrating One Year

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One year ago this new adventure of writing a weekly blog began. I have come to greatly admire those who are able to write and post something sensible and worthwhile every day.  » Read More

The Vermont Experience

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Just arrived home after spending 10 days in New England, mainly Vermont. My wife and I were first there in 1986 and still cherish fond memories of that trip. It’s just hard to believe its been 25 years. » Read More

Plein Air Painting in the Flint Hills 2

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Phil Starke (1)
As I mentioned in last week’s blog, I had the distinct privilege of enjoying three days of plein air painting in the Flint Hills of Kansas with a great group of talented artists. You may » Read More

Plein Air Painting in the Flint Hills

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I just returned from three days of plein air painting in the Flint Hills of Kansas. I remember, as a young boy, passing through the area several times a year with my folks on the way to visit my grandparents in Pittsburg, Kansas. » Read More

Outdoor Painting

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Spent a wonderful day with my friend Gary Klingemann this week. We’ve been talking about getting together for about a year in order to paint. During that time we discovered we have many things in common, including » Read More

Is OPA Judging Rigged?

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Qian_Mary - Model on Break

If you want to be juried into an art show, or win an award in a show, it’s important that you have “connections”. Knowing the judge or jurors doesn’t hurt, maybe even being involved in the host organization will further your changes of winning something, anything…Right?

Accusations of award winners being preselected or friends being shown favoritism are occasionally leveled against art organizations by disappointed applicants. Oil Painters of America is not immune from such criticism. The question is, is there justification for such accusations?

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Dan Beck – “A Warm Breeze” – (2011 Gold Medal Winner / Associate Signature Division)

 

Recently, within the last three weeks, I was bestowed the honor of seeing how an OPA Selection Committee works…from the inside out. I was one of five judges chosen to select the paintings that will be in the OPA Western Regional Exhibition this October at the Lee Youngman Galleries in Calistoga,

Now that all the selections have been made, I am able to tell you how it works.

Qian_Mary - Model on Break

Mary Qian – “Model on Break” – (2010 Gold Medal Winner / Associate Signature Division)

 

First off, you need to know, I still do not know who the other four jurors were…and will probably never know. I asked out of curiosity, after the judging was completed, but received no response. Another thing, only two people knew the identity of the five jurors, the OPA President and the Jury Chairman.

David Riedel - Wooden Bowl David Riedel - "Wooden Bowl" - (2009 Gold Medal Winner / Associate Signature Division)

David Riedel – “Wooden Bowl” – (2009 Gold Medal Winner / Associate Signature Division)

 

We had four days to rate the 924 entries, grading them on a scale from one to seven. The entries were viewed using the internet and we had no way of knowing how other jurors voted. After all the grades for each painting were compiled we were given an additional three days to reevaluate the top 190 entries scoring them in the same way…one to seven. Those receiving the highest cumulative scores were selected for the show.

I did not enter the competition this year, but if I had, I was instructed to vote for my painting in order to avoid any possible computer processing issues. However, it was the average score of the other jurors that would have been substituted for my vote. So, even in that, the temptation to show favoritism toward one’s own work was eliminated.

Howard Friedland - "Morning in Giverny" -  (2008 Gold Medal Winner / Associate Signature Division)

Howard Friedland – “Morning in Giverny” – (2008 Gold Medal Winner / Associate Signature Division)

 

Paintings were evaluated based on design and execution. The best works had one dominant value, a dominant color harmony, a clear center of interest, balance, accurate drawing, convincing value relationships, consistent and believable color temperature relationships, appropriate variety of hard and soft edges, and varied and interesting paint application.

Get all those elements right and you ended up with a seven…in the top 1-3 percent of entries.

Johanna Harmon - "Vintage Dreams" - (2007 Gold Medal Winner / Associate Signature Division)

Johanna Harmon – “Vintage Dreams” – (2007 Gold Medal Winner / Associate Signature Division)

 

I have judged many art shows and only once did I sense a little urging to vote a certain way…and that was for an Elementary School art competition.

Oh, you may be wondering if the artist’s signature on a painting has an influence. Well, to be very honest, I make it a matter of personal integrity to avoid looking at the signature. If the focal point of the painting is located in the area of the signature, there’s no need to be concerned about awards.

I’m sure if an advantage can be gained in any art competition, there will be those who will try to get that advantage. But, as for the Oil Painters of America Exhibitions, I was most impressed to see just how unbiased the jury process actually is. This should be an encouragement to many of you. Hey, it all comes down to the quality of the work, not to who you are or whom you know.

 

Robert Coombs - "Almost Sundown" - (2006 Gold Medal Winner / Associate Signature Division)

Robert Coombs – “Almost Sundown” – (2006 Gold Medal Winner / Associate Signature Division)

 

Below are website links to those featured in this article:

Jeff Legg

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If you don’t know the work of Jeff Legg, you need to.
I’ve known Jeff for at least 20 years. We met at the Midwest Gathering of the Artists Art Show in Carthage, Mo. I was a participant when » Read More

Lake Como Villas

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I’ve written previously of my affection for Italy’s magnificent beauty, its architecture, and the amazing contribution they have made to the world as artists and » Read More

Paul Calle

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“I’m not heavy, deep, or profound, but I have something to say, and I say it through my art.” » Read More